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home·artworks·A border burn
A border burn by Tom Scott

plate no. 3225

A border burn

Tom Scott, 1904

oilRealismlandscapemountainsriverskylandscapesheepfield
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through color and value variations. They will also learn how to suggest detail rather than rendering every element precisely.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, including the mountains, river, and foreground.

  2. step 02

    Establish the sky with a thin wash of grey, allowing for variations in tone to suggest clouds.

  3. step 03

    Block in the distant mountains with muted blues and purples, using lighter values for those further away.

  4. step 04

    Paint the foreground fields with a mix of browns, yellows, and greens, varying the colors to create texture.

  5. step 05

    Add the river using light blues and greys, suggesting movement with broken brushstrokes.

  6. step 06

    Indicate the sheep with small, simple shapes of white and grey.

  7. step 07

    Refine the details in the foreground, adding texture to the grass and rocks.

  8. step 08

    Adjust the values and colors throughout the painting to enhance the atmospheric perspective.

color palette

primary · ultramarine blue · burnt umber · yellow ochre

secondary · titanium white · sap green · payne's grey

Mix blues and umbers for the mountains, adding white for distance. Create earthy greens by mixing yellow ochre and sap green. Use Payne's grey and white for the sky.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·washes
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overworking the details, leading to a loss of atmosphere.
  • →Using colors that are too saturated, making the painting look unnatural.
  • →Failing to create enough contrast between the foreground and background.
  • →Not suggesting depth by using lighter values for distant objects.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·round brushes (various sizes)
  • ·flat brush
  • ·ultramarine blue watercolor
  • ·burnt umber watercolor
  • ·yellow ochre watercolor
  • ·payne's grey watercolor

optional

  • ·palette knife
  • ·masking fluid
  • ·kneaded eraser

Use high-quality watercolor paper for best results. Experiment with different brush sizes to achieve various textures.

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oil painting for beginners →how to learn by studying the masters →
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