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A beggar boy with basket by Ivan Tvorozhnikov

plate no. 3547

A beggar boy with basket

Ivan Tvorozhnikov, 1886

oil, canvasRealismportraitfigureboybasketclothingstickstool
some experience helpful

This painting offers a good opportunity to practice rendering realistic skin tones and textures, as well as creating depth through subtle value changes. Students can also learn about depicting different materials like wood, fabric, and skin.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and objects.

  2. step 02

    Establish the dark background using thin washes of dark brown and black.

  3. step 03

    Block in the main shapes of the figure and basket with mid-tone values.

  4. step 04

    Begin refining the skin tones, using layers of thin paint to build up color and value.

  5. step 05

    Add details to the clothing, paying attention to folds and textures.

  6. step 06

    Paint the basket, focusing on the woven pattern and highlights.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium yellow · alizarin crimson · ultramarine blue

Mix skin tones using white, sienna, and small amounts of red and blue. Use umber and black for shadows. Add yellow to sienna for highlights on the basket.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·rendering textures

common pitfalls

  • →Overmixing colors, leading to muddy tones.
  • →Ignoring the subtle value changes in the skin tones.
  • →Getting lost in the details before establishing the overall composition.
  • →Using too much paint, resulting in a thick and overworked surface.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (burnt umber, raw sienna, titanium white, ivory black, cadmium yellow, alizarin crimson, ultramarine blue)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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