apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A beautiful gift
A beautiful gift by Émile Auguste Hublin

plate no. 6529

A beautiful gift

Émile Auguste Hublin, 1869

oil, canvasRealismportraitfigureportraitboxflowersclothinginterior
some experience helpful

Recreating this painting will help students develop skills in portraiture, including rendering skin tones and capturing subtle expressions, as well as understanding how to depict fabric and textures with oil paints.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to proportions and placement of the figure and box.

  2. step 02

    Establish the background with thin washes of color, focusing on the subtle variations in tone.

  3. step 03

    Block in the main shapes of the figure, including the clothing and head covering, using simplified color masses.

  4. step 04

    Begin refining the skin tones, layering thin glazes of color to build up depth and luminosity.

  5. step 05

    Add details to the face, focusing on capturing the likeness and expression of the subject.

  6. step 06

    Paint the box and its contents, paying attention to the textures and colors of the flowers and other objects.

  7. step 07

    Refine the clothing and fabric, adding details such as folds and shadows.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · cadmium red light · ultramarine blue · sap green

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use thin glazes to create subtle variations in color and value. Mix black and umber for the dark clothing, adding touches of blue for depth.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·rendering fabric

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the likeness and expression of the subject.
  • →Ignoring the subtle variations in color and value in the background.
  • →Getting lost in the details of the box and its contents before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy