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home·artworks·00001Храм В Марьино Утоли Моя Печали На Мольберте
00001Храм В Марьино Утоли Моя Печали На Мольберте by Vlad Avanesov

plate no. 9177

00001Храм В Марьино Утоли Моя Печали На Мольберте

Vlad Avanesov, 2013

oilRealismreligious paintingchurchbuildingscityscapefigurescarssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing subtle color variations in overcast lighting. It also provides practice in rendering architectural details and figures in a realistic style.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the church, buildings, and street layout, focusing on accurate proportions.

  2. step 02

    Establish the overall value structure with a thin wash of neutral gray or blue, indicating the sky and ground.

  3. step 03

    Block in the main colors of the church, buildings, and street, paying attention to the muted palette.

  4. step 04

    Begin refining the details of the church, adding shadows and highlights to create depth and form.

  5. step 05

    Add the figures and cars, focusing on their relative scale and placement within the scene.

  6. step 06

    Develop the atmospheric perspective by softening edges and lightening values of distant objects.

  7. step 07

    Add final details such as the crosses, windows, and street signs.

  8. step 08

    Review the painting and make any necessary adjustments to color, value, and detail.

color palette

primary · titanium white · payne's gray · raw umber

secondary · yellow ochre · cadmium red light · ultramarine blue

Achieve the muted colors by mixing white with small amounts of Payne's gray, raw umber, and touches of yellow ochre or red. Use ultramarine blue to create the sky and the shadows on the church domes.

techniques

  • ·atmospheric perspective
  • ·grisaille underpainting
  • ·glazing
  • ·soft blending
  • ·rendering architectural details

common pitfalls

  • →Overly bright or saturated colors
  • →Lack of atmospheric perspective
  • →Incorrect proportions of the buildings or figures
  • →Too much detail in distant objects

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·viewfinder

Use a medium-grit canvas for better texture. Consider pre-toning the canvas with a thin wash of raw umber or burnt sienna.

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oil painting for beginners →how to learn by studying the masters →
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