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home·artworks·Yvonne and Magdeleine Torn in Tatters
Yvonne and Magdeleine Torn in Tatters by Marcel Duchamp

plate no. 7125

Yvonne and Magdeleine Torn in Tatters

Marcel Duchamp, 1911

oil, canvasSymbolismportraitfacesportraitfiguresabstractsymbolism
experienced study

Recreating this painting will help students develop skills in abstracting forms and understanding value relationships to create depth and form. It also encourages experimentation with color mixing to achieve subtle tonal variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the figures.

  2. step 02

    Establish the darkest and lightest areas to define the value structure.

  3. step 03

    Begin blocking in the main color areas with thin washes.

  4. step 04

    Gradually build up layers of color, blending edges to create soft transitions.

  5. step 05

    Refine the shapes and details of the faces, paying attention to the subtle shifts in value.

  6. step 06

    Add the darker accents to define the forms further.

  7. step 07

    Adjust the overall color balance and value contrast as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · yellow ochre · cadmium red light

Mix burnt umber and raw sienna with white for the skin tones. Use ultramarine blue and burnt umber to create the darker shadows. Add small amounts of cadmium red light for warmer tones.

techniques

  • ·blending
  • ·layering
  • ·value studies
  • ·color mixing
  • ·abstracting forms

common pitfalls

  • →Overworking the blending, resulting in a muddy appearance.
  • →Failing to establish a strong value structure early on.
  • →Using colors straight from the tube without mixing.
  • →Getting lost in details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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