plate no. 7125
Yvonne and Magdeleine Torn in Tatters
Marcel Duchamp, 1911
study guide
est. 12 hrsapproach — 8 steps
- step 01
Lightly sketch the basic shapes and placement of the figures.
- step 02
Establish the darkest and lightest areas to define the value structure.
- step 03
Begin blocking in the main color areas with thin washes.
- step 04
Gradually build up layers of color, blending edges to create soft transitions.
- step 05
Refine the shapes and details of the faces, paying attention to the subtle shifts in value.
- step 06
Add the darker accents to define the forms further.
- step 07
Adjust the overall color balance and value contrast as needed.
- step 08
Add final details and highlights to complete the painting.
color palette
primary · burnt umber · raw sienna · titanium white
secondary · ultramarine blue · yellow ochre · cadmium red light
Mix burnt umber and raw sienna with white for the skin tones. Use ultramarine blue and burnt umber to create the darker shadows. Add small amounts of cadmium red light for warmer tones.
techniques
- ·blending
- ·layering
- ·value studies
- ·color mixing
- ·abstracting forms
common pitfalls
- →Overworking the blending, resulting in a muddy appearance.
- →Failing to establish a strong value structure early on.
- →Using colors straight from the tube without mixing.
- →Getting lost in details before establishing the overall composition.
materials
surface · stretched canvas
required
- ·stretched canvas
- ·burnt umber oil paint
- ·raw sienna oil paint
- ·titanium white oil paint
- ·ultramarine blue oil paint
- ·round brushes (various sizes)
- ·palette
- ·linseed oil
optional
- ·palette knife
- ·medium gloss
- ·easel
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
