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home·artworks·Young Woman Drawing (detail)
Young Woman Drawing (detail) by Marie-Denise Villers

plate no. 7196

Young Woman Drawing (detail)

Marie-Denise Villers, 1801

oilNeoclassicismself-portraitfigureportraithairclothingfaceeyes
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and subtle gradations of light and shadow. It also provides practice in depicting fine details like hair and clothing folds.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions of the face and figure, paying attention to the angle of the head and the placement of features.

  2. step 02

    Block in the main areas of color, starting with the background and then moving to the skin, hair, and clothing.

  3. step 03

    Begin to refine the skin tones by layering subtle variations of color, focusing on the highlights and shadows.

  4. step 04

    Add details to the hair, using small brushstrokes to create the texture of the curls.

  5. step 05

    Paint the clothing, paying attention to the folds and the way the light falls on the fabric.

  6. step 06

    Refine the facial features, focusing on the eyes, nose, and mouth.

  7. step 07

    Add the final details, such as the hair pin and the small gold detail on the dress.

  8. step 08

    Make final adjustments to the values and colors to create a sense of depth and realism.

color palette

primary · titanium white · yellow ochre · burnt umber · ivory black

secondary · ultramarine blue · cadmium yellow light · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, and a touch of burnt umber and alizarin crimson. Use ultramarine blue and ivory black to create the cool tones in the background.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·layering
  • ·portraiture

common pitfalls

  • →Overblending the skin tones, resulting in a flat, lifeless appearance.
  • →Incorrectly proportioning the facial features.
  • →Failing to capture the subtle variations in color and value.
  • →Getting the hair texture wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will help with blending.

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oil painting for beginners →how to learn by studying the masters →
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