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home·artworks·Young man with death
Young man with death by Gosta Adrian-Nilsson

plate no. 8121

Young man with death

Gosta Adrian-Nilsson, 1908

oilSymbolismsymbolic paintingfigureangeltreescityscapeskydeath
some experience helpful

Recreating this painting will help students develop skills in figure painting, color mixing for skin tones and atmospheric perspective, and creating a symbolic narrative.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, angel, and trees.

  2. step 02

    Block in the background with light washes of color, establishing the atmospheric perspective.

  3. step 03

    Begin painting the figure, paying attention to the proportions and anatomy.

  4. step 04

    Mix and apply skin tones, using subtle variations in color and value to create form.

  5. step 05

    Paint the angel figure, using darker colors and looser brushstrokes to create a sense of mystery.

  6. step 06

    Add details to the trees, using a dry brush technique to create texture.

  7. step 07

    Paint the cityscape in the background, using light colors and soft edges to create distance.

  8. step 08

    Add the final details, such as the stars and the highlights on the figure.

color palette

primary · titanium white · ivory black · raw umber · yellow ochre

secondary · viridian · alizarin crimson · ultramarine blue

Mix skin tones by combining titanium white, yellow ochre, and a touch of alizarin crimson. Use ivory black and raw umber to create the dark tones for the angel and trees. Add a touch of ultramarine blue to the black for a cooler tone.

techniques

  • ·figure painting
  • ·atmospheric perspective
  • ·dry brush texture
  • ·glazing
  • ·color mixing

common pitfalls

  • →Incorrect proportions of the figure
  • →Overworking the skin tones
  • →Failing to create a sense of depth
  • →Using colors that are too bright or saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·round brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·viridian oil paint
  • ·ultramarine blue oil paint

Use a medium-grain canvas for best results. Thin the oil paints with linseed oil for smoother application.

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