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home·artworks·Young common woman with yellow shawl
Young common woman with yellow shawl by Vittorio Tessari

plate no. 7872

Young common woman with yellow shawl

Vittorio Tessari, 1890

oil, panelNaturalismportraitportraitwomanheadscarfshawlfigureclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding how to create depth and form through subtle value changes and brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and headscarf.

  2. step 02

    Establish the overall value structure by blocking in the background and major areas of light and shadow with thin washes of color.

  3. step 03

    Begin building up the skin tones, layering subtle variations of color to create form and dimension.

  4. step 04

    Define the features of the face, paying close attention to the shapes and values of the eyes, nose, and mouth.

  5. step 05

    Paint the headscarf, capturing its folds and textures with visible brushstrokes.

  6. step 06

    Add details to the shawl, using a combination of blending and dry brushing to create a sense of texture.

  7. step 07

    Refine the edges and details throughout the painting, adjusting values and colors as needed.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · titanium white · burnt umber · cadmium red · yellow ochre

secondary · ivory black · viridian green · raw sienna

Mix skin tones by blending white, umber, and red, adjusting the proportions to achieve the desired warmth and value. Use yellow ochre and a touch of green to create the color of the shawl. Darken colors with burnt umber and black.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overblending the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to accurately capture the proportions and features of the face.
  • →Using colors that are too saturated or intense, creating an unnatural look.
  • →Ignoring the subtle value changes that create form and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#4 filbert brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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