apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Young common woman
Young common woman by Vittorio Tessari

plate no. 4202

Young common woman

Vittorio Tessari

watercolor, paperNaturalismportraitportraitwomanfigurehairclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing soft lighting and subtle color variations in skin tones and hair. It also provides practice in watercolor techniques like layering and blending.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Create a light pencil sketch outlining the basic shapes of the head, hair, and shoulders.

  2. step 02

    Apply a thin wash of diluted yellow ochre to the entire face and neck area as a base layer.

  3. step 03

    Add a light wash of diluted burnt sienna to the hair, focusing on the darker areas.

  4. step 04

    Mix a slightly darker tone of burnt sienna and add shadows to the hair, defining the curls and volume.

  5. step 05

    Use a very diluted blue or gray to create the background wash, blending it softly around the figure.

  6. step 06

    Mix a flesh tone using yellow ochre, white, and a touch of red. Apply this to the face, building up the color in thin layers.

  7. step 07

    Add details to the eyes, nose, and mouth using a fine brush and diluted colors.

  8. step 08

    Soften edges and blend colors using a clean, damp brush.

color palette

primary · yellow ochre · burnt sienna · titanium white

secondary · ultramarine blue · alizarin crimson

Achieve skin tones by mixing yellow ochre, white, and a touch of red. Create shadows by adding a small amount of blue or brown to the skin tone mix. Hair color is achieved through layering burnt sienna and yellow ochre.

techniques

  • ·watercolor washes
  • ·layering
  • ·blending
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Overworking the colors and losing the transparency of the watercolor.
  • →Creating harsh lines instead of soft transitions.
  • →Using too much water, which can cause the colors to bleed uncontrollably.
  • →Not allowing each layer to dry completely before applying the next.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper (140lb)
  • ·round watercolor brushes (sizes 2, 6, 10)
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·kneaded eraser
  • ·spray fixative

Use high-quality watercolor paper to prevent buckling and ensure good color absorption. Experiment with different brush sizes to achieve various effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Nesebar

Nesebar

Felix Philipp Kanitz

View of the city of Nettuno at dawn with fishing boats

View of the city of Nettuno at dawn with fishing boats

Giovanni (Nino) Costa

Koriten Fortress

Koriten Fortress

Felix Philipp Kanitz

A London Jo - the End of the Day

A London Jo - the End of the Day

Augustus Edwin Mulready

Chestnut trees in the autumn in Antagnes, Switzerland

Chestnut trees in the autumn in Antagnes, Switzerland

Hubertine Heijermans

Avenue of Indian Rubber Trees at Peradeniya, Ceylon

Avenue of Indian Rubber Trees at Peradeniya, Ceylon

Marianne North

Paisaje Con Río

Paisaje Con Río

José Santiago Garnelo y Alda

An Oysterman

An Oysterman

William Henry Hunt