apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Wotan - the supreme god of the ancient Scandinavians
Wotan - the supreme god of the ancient Scandinavians by Konstantin Vasilyev

plate no. 0442

Wotan - the supreme god of the ancient Scandinavians

Konstantin Vasilyev, 1969

oilSymbolismmythological paintingfiguremythologyhelmetbeardskyravens
experienced study

Recreating this painting will help students develop skills in portraiture, particularly rendering realistic skin tones and hair, and in creating atmospheric backgrounds with subtle color gradations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of key elements.

  2. step 02

    Establish the background sky with broad, blended strokes of blues and grays.

  3. step 03

    Block in the main shapes of the figure, including the face, beard, helmet, and clothing.

  4. step 04

    Develop the skin tones using layers of thin paint, paying attention to highlights and shadows.

  5. step 05

    Paint the hair, using small brushstrokes to create texture and movement.

  6. step 06

    Add details to the helmet, clothing, and ravens, focusing on accurate rendering of form and texture.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final highlights and details to create a sense of realism and depth.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt umber

secondary · ivory black · cadmium yellow · raw sienna

Mix various shades of blue and gray for the sky. Use yellow ochre, burnt umber, and white to create the skin tones and hair, adjusting the proportions to achieve the desired warmth and depth. Mix black and blue for the ravens.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·blending
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unnatural.
  • →Losing the overall sense of atmosphere and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull