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Woman with Tambourine by Gheorghe Tattarescu

plate no. 2067

Woman with Tambourine

Gheorghe Tattarescu

oilNeoclassicismportraitfigureportraittambourinedressjewelryheadband
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in depicting fabric and subtle gradations of light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and tambourine.

  2. step 02

    Establish the background with a dark, muted tone, leaving room for the figure to emerge.

  3. step 03

    Block in the main areas of color for the skin, dress, and tambourine, using thin washes.

  4. step 04

    Begin to refine the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Develop the folds and shadows in the dress, using a combination of blending and layering.

  6. step 06

    Add details to the tambourine, including the rim and any decorative elements.

  7. step 07

    Refine the highlights and shadows throughout the painting, creating a sense of depth and form.

  8. step 08

    Add final details, such as the jewelry and the texture of the fabric.

color palette

primary · titanium white · ivory black · burnt umber · cadmium red

secondary · ultramarine blue · yellow ochre · raw sienna

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of umber. The dress is primarily white with subtle variations of blue and pink. The background is a dark mix of black and umber.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to create a sense of depth and form.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color scheme.

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oil painting for beginners →how to learn by studying the masters →
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