apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Winterscene at Spuipoort
Winterscene at Spuipoort by Jacob van Strij

plate no. 4195

Winterscene at Spuipoort

Jacob van Strij

oilNeoclassicismcityscapebuildingsbridgefigureswaterwintercityscape
suitable for beginners

This painting is great for practicing tonal values and creating depth using a limited palette. Students will learn to simplify complex shapes into basic forms and use line work to define details.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, bridge, and figures, paying attention to perspective.

  2. step 02

    Establish the horizon line and the overall composition.

  3. step 03

    Begin applying the darkest values to the areas of deepest shadow, such as the left building and under the bridge.

  4. step 04

    Gradually build up the mid-tones, using diluted washes to create subtle variations in value.

  5. step 05

    Add details to the buildings, bridge, and figures using finer brushstrokes or a pen.

  6. step 06

    Create the impression of snow by leaving areas of the paper untouched or using very light washes.

  7. step 07

    Add subtle reflections in the water.

  8. step 08

    Refine the details and adjust the values as needed to create a sense of depth and atmosphere.

color palette

primary · black · white

secondary · gray

Varying the dilution of black with water will create different shades of gray.

techniques

  • ·wash technique
  • ·dry brush
  • ·linear perspective
  • ·atmospheric perspective
  • ·value studies

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Failing to establish a clear value structure, resulting in a flat and lifeless image.
  • →Ignoring the principles of perspective, leading to inaccurate proportions and spatial relationships.
  • →Using too much water, causing the paper to buckle or the colors to bleed.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paper (140lb or heavier)
  • ·Round brushes (various sizes)
  • ·Black watercolor paint or ink
  • ·Water container
  • ·Palette or mixing surface
  • ·Pencil
  • ·Eraser

optional

  • ·Ruler
  • ·Masking fluid
  • ·Fine liner pen

Using a heavier weight paper will prevent buckling when applying washes. Experiment with different types of black paint or ink to find one that you like.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs