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home·artworks·Winter landscape at Drevel
Winter landscape at Drevel by Jacob van Strij

plate no. 4158

Winter landscape at Drevel

Jacob van Strij

oilNeoclassicismlandscapewinterlandscapefiguresicebuildingstrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic textures like ice and brick. It also provides practice in depicting figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, figures, and horizon line.

  2. step 02

    Establish the sky with a light blue base, blending in subtle variations of white and grey for the clouds.

  3. step 03

    Block in the main shapes of the buildings and trees using a muted palette of browns, greys, and ochres.

  4. step 04

    Develop the ice surface with layers of cool greys and blues, adding highlights to suggest reflections.

  5. step 05

    Paint the figures, paying attention to their proportions and clothing details.

  6. step 06

    Add details to the buildings, such as windows, doors, and roof textures.

  7. step 07

    Refine the trees, adding branches and twigs with a fine brush.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · titanium white · ultramarine blue · burnt umber · yellow ochre

secondary · raw sienna · payne's grey · cadmium yellow light

Mix muted tones by combining complementary colors. Achieve the icy blues by mixing ultramarine with white and a touch of burnt umber to desaturate. Use yellow ochre and burnt umber for the warm tones of the buildings.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·blending

common pitfalls

  • →Overly bright or saturated colors
  • →Lack of depth in the landscape
  • →Incorrect proportions of figures
  • →Ignoring the subtle color variations in the ice

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine
  • ·easel

Use a medium-tooth canvas for best results. Consider using a toned canvas to speed up the painting process.

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