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home·artworks·William Martin Leake
William Martin Leake by Christian Albrecht Jensen

plate no. 4353

William Martin Leake

Christian Albrecht Jensen

oil, canvasNeoclassicismportraitportraitfiguremanclothingvasechair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting textures of fabric and creating depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and vase.

  2. step 02

    Establish the background with a thin wash of dark brown, gradually building up darker tones.

  3. step 03

    Block in the main shapes of the figure, including the face, clothing, and hands, using simplified color masses.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow patterns to create form.

  5. step 05

    Develop the details of the clothing, using subtle value changes to indicate folds and textures.

  6. step 06

    Paint the vase, focusing on the intricate details and the play of light on its surface.

  7. step 07

    Add highlights and final details to the face, clothing, and vase to enhance realism.

  8. step 08

    Glaze to unify the painting and adjust values.

color palette

primary · ivory black · titanium white · raw umber · burnt umber

secondary · cadmium red light · yellow ochre

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use raw and burnt umber for shadows and darker areas. Mix black and umber for the clothing.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·blending
  • ·scumbling

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Using too much black, resulting in a muddy appearance.
  • →Failing to create a convincing sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes size 2, 4, and 6

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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