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home·artworks·William Hunter
William Hunter by James Barry

plate no. 8641

William Hunter

James Barry, 1784

oilNeoclassicismportraitportraitfiguremanclothingwigchair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness. It also provides practice in rendering fabrics and creating subtle tonal variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hand.

  2. step 02

    Establish the background color with a thin wash of brown.

  3. step 03

    Block in the main areas of color for the face, wig, and clothing, paying attention to the overall value structure.

  4. step 04

    Refine the facial features, focusing on accurate placement and subtle shading to create form.

  5. step 05

    Develop the details of the wig, using short, broken strokes to suggest texture and volume.

  6. step 06

    Add details to the clothing, including the ruffles and folds, using darker values to create depth.

  7. step 07

    Paint the chair and its details, paying attention to the light and shadow.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white

secondary · yellow ochre · viridian

Mix various shades of brown and gray by combining ivory black, raw umber, and titanium white. Use yellow ochre to warm the skin tones and viridian to create the green of the chair.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing

common pitfalls

  • →Incorrect proportions of the face and figure.
  • →Overblending, resulting in a flat, lifeless appearance.
  • →Neglecting the subtle tonal variations in the skin.
  • →Getting the wig texture wrong.
  • →Ignoring the light source and shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·viridian oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

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related guides

oil painting for beginners →how to learn by studying the masters →
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