
plate no. 1787
Gavin Hamilton, 1748
Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering realistic skin tones. It also provides practice in depicting drapery and understanding classical composition.
technical profile
approach — 8 steps
Sketch the basic shapes of the portrait, including the head, shoulders, and drapery.
Block in the background with a dark, neutral tone.
Establish the main light and shadow areas on the face and drapery.
Begin layering skin tones, paying attention to subtle variations in color and value.
Refine the details of the face, including the eyes, nose, and mouth.
Develop the folds and highlights in the drapery.
Paint the frame and the scene below, focusing on tonal values.
Add final details and highlights to complete the painting.
color palette
primary · red · ivory black · raw umber · yellow ochre
secondary · burnt sienna · titanium white
Achieve skin tones by mixing yellow ochre, burnt sienna, and titanium white, with small amounts of red and raw umber for shadows. Create the red drapery by mixing a vibrant red with touches of burnt sienna for depth and shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Allow each layer to dry before applying the next.
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