
plate no. 5719
Sarah Purser, 1882
This painting offers practice in creating atmospheric perspective and rendering realistic figures within a landscape. Students can develop skills in layering colors and creating soft edges to depict depth and form.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure, trees, and building.
Establish the overall color scheme with a thin wash of diluted paint.
Block in the main shapes of the figure, trees, and building with their local colors.
Begin layering colors to create depth and form, paying attention to light and shadow.
Develop the details of the foliage, using broken brushstrokes to create texture.
Refine the figure's features and clothing, adding highlights and shadows.
Add details to the building and water, suggesting reflections and textures.
Make final adjustments to the composition and color balance.
color palette
primary · yellow ochre · burnt umber · Prussian blue · titanium white
secondary · sap green · raw sienna · ivory black
Achieve the muted greens by mixing yellow ochre, Prussian blue, and a touch of burnt umber. Use white to lighten values and create highlights. Mix small amounts of black into colors to create shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grit canvas for better paint adhesion. Consider using a limited palette to simplify color mixing.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Nesebar
Felix Philipp Kanitz

View of the city of Nettuno at dawn with fishing boats
Giovanni (Nino) Costa

Koriten Fortress
Felix Philipp Kanitz

A London Jo - the End of the Day
Augustus Edwin Mulready

Chestnut trees in the autumn in Antagnes, Switzerland
Hubertine Heijermans

The Blue Hat (Kathleen Kearney)
Sarah Purser

Turf Barge at Leeson Street Bridge
Sarah Purser

Avenue of Indian Rubber Trees at Peradeniya, Ceylon
Marianne North