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home·artworks·Weeds, a portrait at the Millpond at Ballsbridge
Weeds, a portrait at the Millpond at Ballsbridge by Sarah Purser

plate no. 5719

Weeds, a portrait at the Millpond at Ballsbridge

Sarah Purser, 1882

oilNaturalismgenre paintingfiguretreeswaterbuildingfoliagelandscape
some experience helpful

This painting offers practice in creating atmospheric perspective and rendering realistic figures within a landscape. Students can develop skills in layering colors and creating soft edges to depict depth and form.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, trees, and building.

  2. step 02

    Establish the overall color scheme with a thin wash of diluted paint.

  3. step 03

    Block in the main shapes of the figure, trees, and building with their local colors.

  4. step 04

    Begin layering colors to create depth and form, paying attention to light and shadow.

  5. step 05

    Develop the details of the foliage, using broken brushstrokes to create texture.

  6. step 06

    Refine the figure's features and clothing, adding highlights and shadows.

  7. step 07

    Add details to the building and water, suggesting reflections and textures.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · yellow ochre · burnt umber · Prussian blue · titanium white

secondary · sap green · raw sienna · ivory black

Achieve the muted greens by mixing yellow ochre, Prussian blue, and a touch of burnt umber. Use white to lighten values and create highlights. Mix small amounts of black into colors to create shadows.

techniques

  • ·layering
  • ·blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early
  • →Creating harsh edges
  • →Ignoring the overall color harmony
  • →Not establishing a clear light source

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·Prussian blue oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grit canvas for better paint adhesion. Consider using a limited palette to simplify color mixing.

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