apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Waterfalls at Subiaco
Waterfalls at Subiaco by Joseph Anton Koch

plate no. 9613

Waterfalls at Subiaco

Joseph Anton Koch, 1813

oil, canvasNeoclassicismlandscapemountainswaterfalllandscapefigurestreesarchitecture
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmospheric perspective, as well as rendering realistic textures for natural elements like water and foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, waterfall, and figures.

  2. step 02

    Block in the sky with light blue, gradually adding subtle variations in tone.

  3. step 03

    Establish the base colors for the mountains and hills, using muted greens and browns.

  4. step 04

    Paint the waterfall, focusing on capturing the movement and texture of the water.

  5. step 05

    Add details to the architecture and foliage, using smaller brushes.

  6. step 06

    Paint the figures in the foreground, paying attention to their proportions and clothing.

  7. step 07

    Refine the details and add highlights to create depth and dimension.

  8. step 08

    Add final glazes to unify the colors and create a sense of atmosphere.

color palette

primary · ultramarine blue · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light · viridian

Mix greens by combining yellow ochre and viridian. Create muted tones by adding a touch of raw umber to your colors. Achieve atmospheric perspective by lightening and desaturating colors as they recede into the distance.

techniques

  • ·layering
  • ·glazing
  • ·atmospheric perspective
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the principles of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs