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home·artworks·Waterfall in the Bern Highlands
Waterfall in the Bern Highlands by Joseph Anton Koch

plate no. 3308

Waterfall in the Bern Highlands

Joseph Anton Koch, 1796

oil, canvasNeoclassicismlandscapewaterfallrockstreeslandscapefigurefoliage
experienced study

Recreating this painting will help students develop skills in rendering realistic textures of rocks and foliage, as well as understanding atmospheric perspective to create depth in a landscape. It also requires careful observation of light and shadow to model forms convincingly.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: waterfall, rocks, and figure.

  2. step 02

    Establish the basic value structure by blocking in the dark and light areas with thin washes.

  3. step 03

    Start with the background, gradually building up layers of color and detail, focusing on atmospheric perspective.

  4. step 04

    Work on the rocks, paying attention to the variations in color and texture. Use dry brushing to create rough surfaces.

  5. step 05

    Paint the waterfall, capturing the movement and translucency of the water with varying shades of white and blue.

  6. step 06

    Add the foliage, using a variety of greens and yellows to create depth and texture.

  7. step 07

    Refine the figure, paying attention to proportions and anatomical accuracy.

  8. step 08

    Add final details and highlights to enhance the realism and depth of the painting.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · sap green · cadmium yellow · raw sienna

Mix various shades of green by combining ultramarine blue, yellow ochre, and burnt umber. Achieve the cool tones of the waterfall by mixing titanium white with small amounts of ultramarine blue.

techniques

  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much detail in the background, which can flatten the image.
  • →Neglecting the subtle color variations in the rocks and foliage.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, burnt umber, titanium white, yellow ochre, sap green)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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