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home·artworks·View of Toledo
View of Toledo by El Greco

plate no. 5766

View of Toledo

El Greco, 1600

oilMannerismlandscapecityscapebuildingsdramatic skyhillslandscapearchitecture
experienced study

Students would develop skills in dramatic atmospheric effects and managing complex compositions with multiple focal points. This painting teaches advanced color temperature relationships and how to create mood through contrast.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a detailed sketch mapping out the hills, city placement, and major cloud formations

  2. step 02

    Establish the dramatic sky first using wet-on-wet blending for the storm clouds

  3. step 03

    Block in the dark silhouette of the city buildings against the stormy sky

  4. step 04

    Paint the rolling hills using various greens, working from background to foreground

  5. step 05

    Add architectural details to the buildings, focusing on the cathedral spire as focal point

  6. step 06

    Develop the foreground landscape with varied textures and small details

  7. step 07

    Refine the dramatic lighting effects and cloud formations

  8. step 08

    Add final highlights and atmospheric perspective adjustments

color palette

primary · ultramarine blue · burnt sienna · titanium white · sap green

secondary · raw umber · yellow ochre · prussian blue · burnt umber

Create the dramatic sky by mixing ultramarine with white and touches of burnt sienna for the storm clouds. Mix various greens using sap green, yellow ochre, and raw umber for the landscape variations.

techniques

  • ·wet-on-wet blending for clouds
  • ·atmospheric perspective
  • ·detailed architectural rendering
  • ·landscape layering
  • ·dramatic chiaroscuro lighting

common pitfalls

  • →Overworking the sky transitions
  • →Making all greens the same temperature
  • →Losing the dramatic contrast
  • →Getting lost in architectural details too early

materials

surface · primed canvas or canvas board, minimum 16x20 inches

required

  • ·#8 flat brush
  • ·#4 flat brush
  • ·#2 round detail brush
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·sap green oil paint
  • ·titanium white oil paint
  • ·canvas 16x20 or larger

optional

  • ·palette knife for texture
  • ·#6 filbert brush
  • ·glazing medium
  • ·fan brush for foliage

This complex composition benefits from a larger working surface to accommodate the architectural details and sweeping landscape elements.

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oil painting for beginners →how to learn by studying the masters →
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