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home·artworks·A Prelate
A Prelate by El Greco

plate no. 3385

A Prelate

El Greco, 1601

oil, canvasMannerism (Late Renaissance)portraitportraitfigurebookclothingfurbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding light and shadow to create depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, book, and background.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin building up the skin tones, using subtle color variations to create form.

  4. step 04

    Define the details of the face, paying attention to the eyes, nose, and mouth.

  5. step 05

    Work on the clothing, rendering the folds and textures with careful brushstrokes.

  6. step 06

    Paint the fur collar, using small, broken strokes to create a sense of texture.

  7. step 07

    Add details to the book and the table.

  8. step 08

    Refine the background, blending the colors to create a sense of depth.

color palette

primary · raw umber · ivory black · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium red light

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use raw umber and black for dark areas, and add white for highlights. Mix ultramarine blue with raw umber to create the dark background.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·glazing
  • ·blending
  • ·scumbling

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and making them look muddy.
  • →Failing to create a sense of depth in the background.
  • →Not capturing the texture of the fur.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (raw umber, ivory black, titanium white, yellow ochre, burnt sienna, ultramarine blue, cadmium red light)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-texture canvas will work well for this painting.

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