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home·artworks·Apostle St. Simon
Apostle St. Simon by El Greco

plate no. 7963

Apostle St. Simon

El Greco, 1612

oil, canvasMannerism (Late Renaissance)religious paintingfigurebookportraitreligiousbeardrobe
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing light and shadow to create form, and in rendering drapery with a limited color palette. It also provides practice in creating a sense of depth and atmosphere through value control.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of the book.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main areas of light and shadow on the face, hands, and robe using a limited palette of earth tones and white.

  4. step 04

    Refine the facial features, paying attention to the subtle variations in value and color.

  5. step 05

    Develop the folds and highlights in the robe, using thicker paint and more visible brushstrokes.

  6. step 06

    Add details to the book, such as the pages and binding.

  7. step 07

    Soften edges and blend areas as needed to create a sense of atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white

secondary · yellow ochre · viridian

Achieve the skin tones by mixing raw umber, yellow ochre, and white. The green robe is a mix of ivory black, viridian, and white. Use thin washes of raw umber to create shadows.

techniques

  • ·chiaroscuro
  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·limited palette

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too many colors, which can muddy the painting.
  • →Losing the sense of atmosphere by over-blending.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (ivory black, raw umber, titanium white, yellow ochre, viridian)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a canvas with a smooth surface for easier blending. Consider using a toned canvas to speed up the painting process.

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