apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·St. Francis receiving the stigmata
St. Francis receiving the stigmata by El Greco

plate no. 2884

St. Francis receiving the stigmata

El Greco, 1590

oil, canvasMannerism (Late Renaissance)religious paintingfigurereligiousskullskycloudsstigmata
some experience helpful

Recreating this painting will help students understand how to create depth using value and how to blend colors to create soft transitions. It also provides practice in rendering realistic figures and drapery.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, skull, and background elements.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Begin with a thin underpainting using burnt umber or a similar earth tone, focusing on values.

  4. step 04

    Start layering in the local colors, beginning with the darkest areas and gradually working towards the highlights.

  5. step 05

    Pay close attention to the subtle color variations in the figure's robe and skin tones.

  6. step 06

    Use soft blending techniques to create smooth transitions between values and colors.

  7. step 07

    Add details such as the facial features, hands, and the texture of the skull.

  8. step 08

    Refine the background and add the final highlights to create a sense of depth and atmosphere.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · titanium white · yellow ochre · Prussian blue

Achieve the muted tones by mixing earth tones with white and small amounts of blue or yellow. Use thin glazes to build up color and depth.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·soft blending
  • ·scumbling

common pitfalls

  • →Over-blending, resulting in a muddy appearance.
  • →Failing to establish a strong value structure early on.
  • →Ignoring the subtle color variations in the shadows and highlights.
  • →Getting lost in details before establishing the overall form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the underpainting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Apollo and the Muses (Parnassus)

Apollo and the Muses (Parnassus)

Lavinia Fontana

Portrait Of Don Rodrigo Vasquez

Portrait Of Don Rodrigo Vasquez

El Greco

Madonna Bolognini

Madonna Bolognini

Correggio

The Unhappy Lot of the Rich

The Unhappy Lot of the Rich

Maerten van Heemskerck

Head of a Woman

Head of a Woman

Orazio Gentileschi

The Deposition

The Deposition

Giorgio Vasari

Portrait of a Man Holding a Letter

Portrait of a Man Holding a Letter

Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana

Portrait of the Physician Carlo Fontana

Bartolomeo Passerotti