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home·artworks·View of the two Churches the one called the Madonna of Loreto, the other the name of Mary at the Trajan column
View of the two Churches the one called the Madonna of Loreto, the other the name of Mary at the Trajan column by Giovanni Battista Piranesi

plate no. 9175

View of the two Churches the one called the Madonna of Loreto, the other the name of Mary at the Trajan column

Giovanni Battista Piranesi

oilNeoclassicismcityscapearchitecturecolumnbuildingcityscapeskyfigures
experienced study

Recreating this image will develop skills in linear perspective, cross-hatching, and creating depth through value variations. It will also help in understanding architectural details and rendering complex forms.

technical profile

palette complexity
1
brushwork visibility
1
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on the placement of the column, building, and horizon line.

  2. step 02

    Establish the main lines of perspective, ensuring the buildings recede correctly into the distance.

  3. step 03

    Start adding details to the column, paying attention to the spiral relief and its variations in light and shadow.

  4. step 04

    Develop the architecture of the building, including windows, statues, and decorative elements.

  5. step 05

    Use cross-hatching to create tonal variations and define the forms of the buildings and column.

  6. step 06

    Add details to the foreground, including figures and vegetation, to create depth and scale.

  7. step 07

    Refine the sky with subtle hatching to suggest clouds and atmosphere.

  8. step 08

    Add final details and adjust values to create a cohesive and detailed image.

color palette

primary · black · white

secondary · gray

This is a monochrome image, so the focus is on creating a range of grays through hatching and value control.

techniques

  • ·cross-hatching
  • ·linear perspective
  • ·value control
  • ·rendering architectural details
  • ·creating atmospheric perspective

common pitfalls

  • →incorrect perspective
  • →uneven hatching
  • →lack of value contrast
  • →overly simplified details

materials

surface · smooth drawing paper

required

  • ·drawing paper
  • ·graphite pencils (HB, 2B, 4B)
  • ·eraser
  • ·ruler
  • ·fine-tipped pens

optional

  • ·tracing paper
  • ·compass
  • ·architectural templates

Use a variety of pencil grades to achieve a full range of values. A kneaded eraser is useful for lifting graphite without damaging the paper.

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