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home·artworks·View of the Temple of Concord
View of the Temple of Concord by Giovanni Battista Piranesi

plate no. 8640

View of the Temple of Concord

Giovanni Battista Piranesi

oilNeoclassicismcityscapearchitectureruinscityscapefigurestreessky
experienced study

Recreating this image will help students understand linear perspective, atmospheric perspective, and the use of hatching and cross-hatching to create tonal values. It will also develop skills in rendering complex architectural details.

technical profile

palette complexity
1
brushwork visibility
1
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch, establishing the horizon line and key vanishing points.

  2. step 02

    Outline the major architectural structures, paying close attention to perspective.

  3. step 03

    Add details to the buildings and ruins, including columns, windows, and decorative elements.

  4. step 04

    Sketch in the figures and animals, considering their placement and scale.

  5. step 05

    Begin shading using light hatching to establish the overall tonal range.

  6. step 06

    Build up darker values with cross-hatching, focusing on areas of shadow and depth.

  7. step 07

    Add details to the sky and foliage, using varied line weights to create texture.

  8. step 08

    Refine the drawing, adding highlights and adjusting values to create a sense of depth and atmosphere.

color palette

primary · black · white

secondary ·

This image is monochromatic, so the focus is on achieving different shades of gray through varying the density and layering of lines.

techniques

  • ·hatching
  • ·cross-hatching
  • ·linear perspective
  • ·atmospheric perspective
  • ·rendering architectural details

common pitfalls

  • →Incorrect perspective can distort the entire image.
  • →Overworking the details can make the drawing appear cluttered.
  • →Insufficient contrast can result in a flat and lifeless image.
  • →Inconsistent line weights can disrupt the overall harmony of the drawing.

materials

surface · smooth drawing paper

required

  • ·graphite pencils (HB, 2B, 4B)
  • ·drawing paper (smooth or slightly textured)
  • ·eraser
  • ·ruler
  • ·sharpener

optional

  • ·kneaded eraser
  • ·tortillon or blending stump
  • ·T-square

Use a variety of pencil grades to achieve a full range of tonal values. Start with lighter grades for sketching and build up darker values with softer grades.

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