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home·artworks·View of the New Jerusalem Monastery near Moscow
View of the New Jerusalem Monastery near Moscow by Giacomo Quarenghi

plate no. 7227

View of the New Jerusalem Monastery near Moscow

Giacomo Quarenghi, 1797

oilNeoclassicismcityscapearchitecturebuildingsfiguresarchcityscapefoliage
experienced study

Recreating this painting will help students develop skills in perspective drawing, architectural rendering, and creating atmospheric effects with subtle washes. It will also improve their ability to depict figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the monastery buildings, arch, and figures, paying attention to perspective.

  2. step 02

    Apply a light wash of diluted raw sienna or yellow ochre to the entire paper to create a warm undertone.

  3. step 03

    Begin adding darker washes to define the shadows and architectural details of the buildings, using a mix of burnt umber and indigo.

  4. step 04

    Paint the archway, using a dry brush technique to create a textured stone effect.

  5. step 05

    Add details to the figures, using small brushes and diluted colors.

  6. step 06

    Paint the foliage around the archway, using a stippling technique to create a naturalistic effect.

  7. step 07

    Add final details and highlights with a fine brush, using white or light yellow to accentuate the architectural features.

  8. step 08

    Review and adjust values and details to achieve a cohesive and atmospheric composition.

color palette

primary · raw sienna · burnt umber · indigo

secondary · yellow ochre · titanium white · sap green

Achieve the muted tones by mixing primary colors with white and varying the water-to-pigment ratio. Use indigo and burnt umber for darker shadows and architectural details.

techniques

  • ·perspective drawing
  • ·dry brush
  • ·atmospheric washes
  • ·stippling
  • ·layering

common pitfalls

  • →Incorrect perspective leading to distorted buildings.
  • →Overworking details and losing the atmospheric effect.
  • →Using colors that are too saturated.
  • →Inaccurate proportions of figures.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 6, 10)
  • ·HB pencil
  • ·kneaded eraser
  • ·water container

optional

  • ·palette knife
  • ·masking fluid
  • ·ruler
  • ·watercolor pencils

Use high-quality watercolor paper to prevent buckling and ensure smooth washes. Experiment with different brush sizes to achieve varying levels of detail.

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