
plate no. 7227
Giacomo Quarenghi, 1797
approach — 8 steps
Lightly sketch the basic shapes of the monastery buildings, arch, and figures, paying attention to perspective.
Apply a light wash of diluted raw sienna or yellow ochre to the entire paper to create a warm undertone.
Begin adding darker washes to define the shadows and architectural details of the buildings, using a mix of burnt umber and indigo.
Paint the archway, using a dry brush technique to create a textured stone effect.
Add details to the figures, using small brushes and diluted colors.
Paint the foliage around the archway, using a stippling technique to create a naturalistic effect.
Add final details and highlights with a fine brush, using white or light yellow to accentuate the architectural features.
Review and adjust values and details to achieve a cohesive and atmospheric composition.
color palette
primary · raw sienna · burnt umber · indigo
secondary · yellow ochre · titanium white · sap green
Achieve the muted tones by mixing primary colors with white and varying the water-to-pigment ratio. Use indigo and burnt umber for darker shadows and architectural details.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to prevent buckling and ensure smooth washes. Experiment with different brush sizes to achieve varying levels of detail.
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