apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·View of the Lake of Ermenonville
View of the Lake of Ermenonville by Jean-Joseph-Xavier Bidauld

plate no. 9604

View of the Lake of Ermenonville

Jean-Joseph-Xavier Bidauld

oilNeoclassicismlandscapelaketreesfiguresboatlandscapefoliage
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex foliage with subtle color variations. It also provides practice in depicting figures in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the lake, trees, and figures.

  2. step 02

    Establish the sky and water with thin washes of color, paying attention to the subtle gradations of light.

  3. step 03

    Begin blocking in the larger masses of trees and foliage, using a variety of greens and browns.

  4. step 04

    Add details to the trees, creating texture and depth with smaller brushstrokes.

  5. step 05

    Paint the figures in the boat and on the shore, paying attention to their proportions and poses.

  6. step 06

    Refine the reflections in the water, using slightly darker and less saturated versions of the colors above.

  7. step 07

    Add highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to create a harmonious and balanced composition.

color palette

primary · sap green · raw umber · titanium white · yellow ochre

secondary · alizarin crimson · ultramarine blue · cadmium yellow

Achieve the various greens by mixing sap green with yellow ochre and raw umber. Use ultramarine blue and alizarin crimson to create muted purples and grays for shadows.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·glazing
  • ·scumbling
  • ·rendering foliage

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using too much pure color and not enough muted tones.
  • →Failing to establish a strong sense of depth and perspective.
  • →Making the figures too prominent and distracting from the overall landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-tooth canvas for best results. Consider using a toned ground to help establish the overall color harmony.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs