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home·artworks·View of the Convent of Ara Coeli with Pines
View of the Convent of Ara Coeli with Pines by Pierre-Henri de Valenciennes

plate no. 5799

View of the Convent of Ara Coeli with Pines

Pierre-Henri de Valenciennes, 1785

oil, paperNeoclassicismlandscapebuildingtreeslandscapeskycityscapearchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through subtle value and color changes. It also provides practice in rendering architectural forms and organic shapes like trees.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the building, tree, and horizon line.

  2. step 02

    Establish the sky with a light, blended wash of color.

  3. step 03

    Block in the main shapes of the building and tree with their base colors.

  4. step 04

    Develop the values and details of the building, paying attention to light and shadow.

  5. step 05

    Add details to the tree, using varying brushstrokes to create texture and depth.

  6. step 06

    Paint the distant cityscape, using lighter values and less detail to create atmospheric perspective.

  7. step 07

    Refine the foreground, adding details to the grass and any other elements.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and realism.

color palette

primary · burnt umber · raw sienna · titanium white · ultramarine blue

secondary · yellow ochre · ivory black · sap green

Achieve the muted tones by mixing earth tones with white and small amounts of blue. Use glazes of thinned color to create subtle variations in value and hue.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·blending
  • ·value study

common pitfalls

  • →Overworking the details in the background, losing the sense of distance.
  • →Using colors that are too saturated, creating an unrealistic effect.
  • →Failing to establish a clear value structure, resulting in a flat image.
  • →Neglecting the importance of soft edges and subtle transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a toned canvas to speed up the painting process.

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