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home·artworks·View of the Arch of Benevento in the Kingdom of Naples
View of the Arch of Benevento in the Kingdom of Naples by Giovanni Battista Piranesi

plate no. 1068

View of the Arch of Benevento in the Kingdom of Naples

Giovanni Battista Piranesi

oilNeoclassicismcityscapearcharchitecturefigurescityscaperuinssky
experienced study

Recreating this image will help students develop skills in linear perspective, rendering fine details, and creating depth through value variations. It also provides practice in depicting complex architectural forms.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic structure of the arch and surrounding landscape.

  2. step 02

    Establish the horizon line and vanishing points for perspective.

  3. step 03

    Refine the sketch, adding details to the arch, figures, and background elements.

  4. step 04

    Start applying darker values to define shadows and create depth.

  5. step 05

    Gradually build up the values, adding mid-tones and highlights.

  6. step 06

    Focus on rendering the intricate details of the arch's carvings and textures.

  7. step 07

    Pay attention to the atmospheric perspective, making distant elements lighter and less detailed.

  8. step 08

    Add final touches and refine the overall composition.

color palette

primary · ivory black · titanium white

secondary · raw umber · payne's gray

Mix varying amounts of black and white to create a full range of grayscale values. Use raw umber and payne's gray sparingly to add subtle warmth or coolness to the grays.

techniques

  • ·hatching
  • ·cross-hatching
  • ·scumbling
  • ·dry brushing
  • ·linear perspective

common pitfalls

  • →Failing to establish accurate perspective early on.
  • →Overworking the details and losing the overall composition.
  • →Not creating enough contrast between light and dark areas.
  • →Ignoring the atmospheric perspective and making distant elements too sharp.

materials

surface · smooth drawing paper

required

  • ·graphite pencils (HB, 2B, 4B)
  • ·kneaded eraser
  • ·ruler
  • ·drawing paper (smooth or slightly textured)
  • ·blending stumps
  • ·tortillions

optional

  • ·mechanical pencil
  • ·watercolor pencils
  • ·fixative spray

Use a variety of pencil grades to achieve a full range of values. A smooth paper will allow for finer details.

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