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home·artworks·View of Mt. Lafayette, New Hampshire
View of Mt. Lafayette, New Hampshire by David Johnson

plate no. 3180

View of Mt. Lafayette, New Hampshire

David Johnson, 1867

oilLuminismlandscapemountainslaketreesskylandscapegrass
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create depth. It also provides practice in rendering realistic trees and foliage.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the mountains, lake, and trees.

  2. step 02

    Establish the sky with a light blue wash, blending it softly towards the horizon.

  3. step 03

    Block in the distant mountains with muted greens and browns, using lighter values for areas further away.

  4. step 04

    Paint the darker tones of the forest and the reflections in the lake, paying attention to the subtle color variations.

  5. step 05

    Add details to the foreground, including the grass, rocks, and individual trees.

  6. step 06

    Refine the highlights and shadows to create a sense of depth and dimension.

  7. step 07

    Add final details to the trees and foliage, using smaller brushes to create texture.

  8. step 08

    Glaze the painting with thin layers of color to unify the composition and enhance the atmospheric effects.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · sap green · cadmium yellow · raw sienna

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by lightening colors with white and adding a touch of blue as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·wet-on-dry blending
  • ·scumbling

common pitfalls

  • →Overworking the details in the distant mountains.
  • →Creating too much contrast in the foreground.
  • →Using colors that are too saturated.
  • →Ignoring the subtle color variations in the landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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