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home·artworks·View of Mount Earnshaw from the Island in Lake Wakatipe, New Zealand
View of Mount Earnshaw from the Island in Lake Wakatipe, New Zealand by Marianne North

plate no. 1987

View of Mount Earnshaw from the Island in Lake Wakatipe, New Zealand

Marianne North, 1880

oilNaturalismlandscapemountainslaketreesfoliageskybeach
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and depicting complex foliage textures. It also offers practice in rendering atmospheric perspective to show distance.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, lake, and major tree groups.

  2. step 02

    Establish the sky with light blue and white, blending smoothly.

  3. step 03

    Block in the distant mountains with varying shades of blue and purple, adding white for snow-capped peaks.

  4. step 04

    Lay in the base color for the lake, gradually lightening towards the horizon to create depth.

  5. step 05

    Establish the beach area with light beige and tan tones, adding subtle shadows.

  6. step 06

    Begin building up the foliage, starting with darker greens and adding lighter highlights to create volume.

  7. step 07

    Paint the palm trees, paying attention to the structure of the trunks and the shape of the fronds.

  8. step 08

    Add final details such as small plants, shadows, and highlights to enhance the overall realism.

color palette

primary · cerulean blue · viridian green · raw umber · titanium white

secondary · cadmium yellow · alizarin crimson · ultramarine blue

Mix various greens by combining blue and yellow with touches of raw umber. Achieve atmospheric perspective by adding white to colors for distant elements.

techniques

  • ·layering
  • ·blending
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Overworking the foliage, resulting in a flat, undifferentiated mass.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using too much detail in the distant mountains, making them appear closer.
  • →Ignoring the subtle color variations in the water and sky.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 6, 10)
  • ·flat brush (size 4)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·odorless mineral spirits or water

optional

  • ·retarder medium
  • ·easel
  • ·painting varnish

Use a medium-tooth canvas for better paint adhesion. Consider using a limited palette to simplify color mixing.

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