apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·View Of Monte Amiata
View Of Monte Amiata by Giovanni (Nino) Costa

plate no. 5373

View Of Monte Amiata

Giovanni (Nino) Costa, 1880

oil, canvasNaturalismlandscapelandscapehillstreesskybuildingsroad
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create depth. It also provides practice in rendering foliage and distant landscapes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major landforms.

  2. step 02

    Establish the sky colors with broad, blended strokes, capturing the sunset hues.

  3. step 03

    Block in the distant mountains and buildings using muted blues and grays.

  4. step 04

    Define the foreground hills with varying shades of green and brown, paying attention to light and shadow.

  5. step 05

    Add details to the trees and foliage using smaller brushstrokes.

  6. step 06

    Paint the road, using lighter tones to indicate its surface and direction.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights to capture the light reflecting off the landscape.

color palette

primary · yellow ochre · burnt umber · Prussian blue · titanium white

secondary · cadmium orange · raw sienna · sap green

Mix muted greens by combining yellow ochre, Prussian blue, and burnt umber. Achieve atmospheric perspective by adding white to distant colors.

techniques

  • ·atmospheric perspective
  • ·color mixing
  • ·layering
  • ·blending
  • ·dry brushing

common pitfalls

  • →Overworking the details in the distant landscape.
  • →Using too much pure color without mixing.
  • →Failing to establish a clear value structure.
  • →Ignoring the subtle color variations in the sky.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, burnt umber, Prussian blue, titanium white, cadmium orange, raw sienna, sap green)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color chart

Use a medium-tooth canvas for better texture. Consider pre-toning the canvas with a thin wash of burnt umber for a warmer base.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Nesebar

Nesebar

Felix Philipp Kanitz

View of the city of Nettuno at dawn with fishing boats

View of the city of Nettuno at dawn with fishing boats

Giovanni (Nino) Costa

Koriten Fortress

Koriten Fortress

Felix Philipp Kanitz

A London Jo - the End of the Day

A London Jo - the End of the Day

Augustus Edwin Mulready

Chestnut trees in the autumn in Antagnes, Switzerland

Chestnut trees in the autumn in Antagnes, Switzerland

Hubertine Heijermans

Avenue of Indian Rubber Trees at Peradeniya, Ceylon

Avenue of Indian Rubber Trees at Peradeniya, Ceylon

Marianne North

Paisaje Con Río

Paisaje Con Río

José Santiago Garnelo y Alda

An Oysterman

An Oysterman

William Henry Hunt