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home·artworks·View of Castle Benrath
View of Castle Benrath by Carle Vernet

plate no. 8859

View of Castle Benrath

Carle Vernet, 1806

oilNeoclassicismlandscapetreeslakebuildingskyfigureshorses
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. It also provides practice in depicting complex forms like trees and architecture with subtle gradations of light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, building, and horizon line.

  2. step 02

    Establish the sky and water with broad washes of color, paying attention to the light source and atmospheric perspective.

  3. step 03

    Block in the main shapes of the trees, using darker values for the trunks and branches and lighter values for the foliage.

  4. step 04

    Add details to the building, including the windows, columns, and roofline, using a fine brush.

  5. step 05

    Paint the reflections in the water, using slightly muted versions of the colors in the scene above.

  6. step 06

    Add the figures and horses in the foreground, paying attention to their proportions and anatomy.

  7. step 07

    Refine the details of the trees, adding highlights and shadows to create depth and texture.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the colors.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · sap green

Mix greens by combining yellow ochre, ultramarine blue, and a touch of cadmium yellow. Create atmospheric perspective by adding white to colors as they recede into the distance. Use burnt umber and ultramarine blue for dark shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering reflections
  • ·layering

common pitfalls

  • →Overworking the details too early.
  • →Failing to establish a strong value structure.
  • →Ignoring atmospheric perspective.
  • →Making the reflections too bright or detailed.
  • →Not blending colors smoothly enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush

optional

  • ·palette knife
  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the transparency of the colors.

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