apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·View from Petrovsky Island to Tuchkov Bridge and Vasilyevsky Island in St. Petersburg
View from Petrovsky Island to Tuchkov Bridge and Vasilyevsky Island in St. Petersburg by Sylvester Shchedrin

plate no. 5375

View from Petrovsky Island to Tuchkov Bridge and Vasilyevsky Island in St. Petersburg

Sylvester Shchedrin, 1815

canvas, oilNeoclassicismcityscapecityscaperiverbuildingstreesfiguressky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering subtle color variations in landscapes. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major shapes of the buildings, trees, and figures.

  2. step 02

    Establish the sky with light washes of blue and gray, blending the clouds softly.

  3. step 03

    Block in the large areas of color for the water, land, and buildings, paying attention to the overall value structure.

  4. step 04

    Develop the details of the trees, using a variety of greens and browns to create depth and texture.

  5. step 05

    Add the figures, focusing on their proportions and placement within the scene.

  6. step 06

    Refine the details of the buildings, including the windows, roofs, and architectural elements.

  7. step 07

    Add highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and harmonious painting.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · raw sienna · ivory black

Mix greens by combining ultramarine blue and yellow ochre. Achieve atmospheric perspective by adding white to colors as they recede into the distance. Use burnt umber and white for the tree trunks.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·linear perspective
  • ·figure drawing

common pitfalls

  • →Overworking details too early
  • →Ignoring the overall value structure
  • →Using colors that are too saturated
  • →Incorrect perspective of buildings

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs