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home·artworks·View from Petrovsky island in St Petersburg
View from Petrovsky island in St Petersburg by Sylvester Shchedrin

plate no. 5207

View from Petrovsky island in St Petersburg

Sylvester Shchedrin, 1816

canvas, oilNeoclassicismcityscapetreesbuildingswaterskyfiguresbridge
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through layering. It also provides practice in rendering realistic foliage and architectural details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and placement of major elements.

  2. step 02

    Block in the sky with light blues and pinks, blending softly.

  3. step 03

    Establish the distant buildings with muted colors and minimal detail.

  4. step 04

    Paint the water, reflecting the sky and buildings, using horizontal brushstrokes.

  5. step 05

    Add the trees, starting with dark underlayers and building up lighter foliage.

  6. step 06

    Paint the bridges and figures, paying attention to perspective and proportion.

  7. step 07

    Refine details and add highlights to create depth and realism.

  8. step 08

    Add final touches and glazes to unify the painting.

color palette

primary · Prussian blue · Yellow ochre · Titanium white · Burnt umber

secondary · Cadmium red · Sap green

Mix greens by combining Prussian blue and yellow ochre. Create muted tones by adding burnt umber to colors. Achieve atmospheric perspective by lightening colors with white and adding a touch of blue as they recede into the distance.

techniques

  • ·Layering
  • ·Blending
  • ·Atmospheric perspective
  • ·Dry brushing
  • ·Color mixing

common pitfalls

  • →Overworking details in the background, losing the sense of depth.
  • →Using colors that are too saturated, creating an unrealistic effect.
  • →Ignoring perspective, making the buildings and bridges appear distorted.
  • →Failing to create a sense of atmosphere, resulting in a flat painting.

materials

surface · Stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (Prussian blue, Yellow ochre, Titanium white, Burnt umber, Cadmium red)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

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