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home·artworks·View from Hyde Park
View from Hyde Park by David Johnson

plate no. 7056

View from Hyde Park

David Johnson, 1869

oilLuminismlandscapelandscapelaketreesmountainsfiguressky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create depth. It also provides practice in rendering foliage and creating a sense of light and atmosphere.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major landforms.

  2. step 02

    Block in the sky with a light blue, creating a subtle gradient.

  3. step 03

    Establish the distant mountains with muted purples and blues, using lighter values for distant peaks.

  4. step 04

    Paint the lake with varying shades of blue and gray, reflecting the sky and surrounding landscape.

  5. step 05

    Block in the large shapes of the trees and foliage in the middle ground, using a mix of greens, browns, and reds.

  6. step 06

    Add details to the foreground foliage, varying the colors and values to create depth and texture.

  7. step 07

    Paint the figures on the bench, keeping them simple and in proportion to the landscape.

  8. step 08

    Add final highlights and details to the trees, water, and foreground to enhance the sense of light and atmosphere.

color palette

primary · cerulean blue · raw umber · sap green · cadmium red

secondary · yellow ochre · titanium white · ultramarine blue

Mix blues and whites for the sky and water. Use raw umber and white for the distant mountains. Mix greens, browns, and reds for the foliage, adding yellow ochre for highlights.

techniques

  • ·atmospheric perspective
  • ·color mixing
  • ·layering
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details in the distant mountains.
  • →Creating too much contrast in the foreground, flattening the image.
  • →Using too much pure color without mixing.
  • →Ignoring the subtle value shifts in the sky and water.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·raw umber oil paint
  • ·sap green oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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