
plate no. 5556
Gerard Sekoto, 1970
Recreating this painting will help students develop skills in simplifying complex scenes into basic shapes and using color temperature to create depth. It also provides practice in capturing the reflections and movement of water.
technical profile
approach — 8 steps
Sketch the basic shapes of the buildings, river, and bridge, focusing on proportions and perspective.
Establish the light and shadow areas with a thin wash of diluted paint.
Block in the main colors of the buildings, sky, and water, using broad brushstrokes.
Develop the details of the buildings, adding windows, architectural features, and variations in color.
Paint the river, capturing the reflections of the buildings and sky with horizontal strokes.
Add the tree, paying attention to its shape and color variations.
Refine the details and add highlights to create depth and dimension.
Add final touches and adjust colors as needed.
color palette
primary · ultramarine blue · yellow ochre · titanium white
secondary · burnt sienna · viridian green
Mix various shades of blue and white for the sky and water. Use yellow ochre and burnt sienna for the buildings, and mix green with blue and yellow for the tree.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-textured canvas to allow for expressive brushstrokes. Acrylics will dry faster, while oils allow for more blending time.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor