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home·artworks·Winter at the Entrepotdok, in Amsterdam city
Winter at the Entrepotdok, in Amsterdam city by Paul Werner

plate no. 2626

Winter at the Entrepotdok, in Amsterdam city

Paul Werner, 1985

lithography, print, paperExpressionismcityscapebuildingsboatstreeswatercityscapewinter
some experience helpful

Recreating this painting will help students develop skills in expressive mark-making and understanding of value relationships in a limited palette. It also encourages simplification of complex scenes into basic shapes and lines.

technical profile

palette complexity
1
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of buildings, boats, and trees.

  2. step 02

    Establish the darkest areas of the painting using bold, confident strokes.

  3. step 03

    Add mid-tones by varying the pressure and density of your marks.

  4. step 04

    Use lighter, more delicate strokes to create highlights and areas of snow.

  5. step 05

    Develop the texture of the trees and buildings with short, broken lines.

  6. step 06

    Refine the details, paying attention to the direction and weight of each stroke.

  7. step 07

    Add subtle variations in tone to create depth and dimension.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · black · white

secondary · gray

Varying the pressure of the pencil or charcoal will create different shades of gray. Use white of the paper for highlights.

techniques

  • ·hatching
  • ·cross-hatching
  • ·scumbling
  • ·dry brush
  • ·expressive linework

common pitfalls

  • →Overworking the details and losing the spontaneity of the original.
  • →Creating overly uniform tones and failing to establish a strong value contrast.
  • →Being too timid with your marks and not fully committing to the expressive style.
  • →Ignoring the underlying structure and simplifying the forms too much.

materials

surface · Drawing paper (smooth or slightly textured)

required

  • ·Graphite pencils (HB, 2B, 4B)
  • ·Eraser
  • ·Drawing paper (smooth or slightly textured)
  • ·Charcoal pencil
  • ·Kneaded eraser
  • ·Blending stump

optional

  • ·Ruler
  • ·Fixative spray

Experiment with different types of paper and pencils to find the combination that works best for you.

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