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home·artworks·Vesubio
Vesubio by José Santiago Garnelo y Alda

plate no. 8023

Vesubio

José Santiago Garnelo y Alda

oilNaturalismlandscapemountainwaterboatsbuildingsskyfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the essence of a scene with loose, expressive brushstrokes. It also provides practice in mixing subtle color variations to represent light and shadow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the mountain, the shoreline, and the main structures.

  2. step 02

    Block in the sky with a thin layer of light blue, allowing for variations in tone.

  3. step 03

    Establish the basic colors of the mountain, using darker blues and grays for the shadows and lighter tones for the highlights.

  4. step 04

    Paint the water with horizontal strokes, varying the blues and greens to create depth and reflections.

  5. step 05

    Add the buildings and boats, focusing on their shapes and relative sizes.

  6. step 06

    Develop the details of the foreground, including the figures and the textures of the shoreline.

  7. step 07

    Refine the highlights and shadows throughout the painting to enhance the sense of depth and atmosphere.

  8. step 08

    Add final details and adjust colors as needed to achieve a cohesive and harmonious composition.

color palette

primary · ultramarine blue · yellow ochre · titanium white

secondary · burnt umber · cadmium red light

Mix blues and whites for the sky and water, adding small amounts of yellow ochre or burnt umber to create variations in tone. Use yellow ochre and burnt umber for the buildings and shoreline, adding white to lighten the colors and create highlights.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·alla prima
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the spontaneity of the original painting.
  • →Using colors that are too saturated and not capturing the subtle variations in tone.
  • →Failing to establish a clear sense of depth and atmosphere.
  • →Making the brushstrokes too uniform and not varying the direction and pressure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·linseed oil
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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