apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Vase with Jasmin
Vase with Jasmin by Jan Mankes

plate no. 3226

Vase with Jasmin

Jan Mankes, 1913

oilSymbolismflower paintingflowersvasestill lifejasmine
some experience helpful

Recreating this painting will help students develop skills in subtle color mixing and creating soft, diffused light effects. Students will also practice painting delicate floral forms and creating a sense of depth through tonal variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a mid-tone brown.

  2. step 02

    Lightly sketch the basic shapes of the vase and flowers, paying attention to composition.

  3. step 03

    Block in the background with darker browns and grays, blending smoothly.

  4. step 04

    Begin layering in the whites and creams of the jasmine flowers, focusing on the overall form.

  5. step 05

    Add subtle variations in color to the flowers, using yellows, greens, and grays to create depth.

  6. step 06

    Refine the shapes of the petals and add details like the flower centers.

  7. step 07

    Paint the vase with darker browns, suggesting its form with subtle highlights and shadows.

  8. step 08

    Add final touches, such as the single leaf and any small details.

color palette

primary · titanium white · burnt umber · raw umber

secondary · yellow ochre · sap green · payne's gray

Achieve the subtle whites by mixing titanium white with small amounts of yellow ochre, raw umber, or payne's gray. The background browns are created by mixing burnt umber with raw umber and small amounts of white or payne's gray to adjust the value.

techniques

  • ·tonal painting
  • ·soft blending
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overworking the details in the flowers too early.
  • →Creating harsh edges instead of soft transitions.
  • →Using too much white without considering subtle color variations.
  • →Failing to create a sense of depth in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

A pre-toned canvas will save time and help establish the overall mood of the painting. Use high-quality oil paints for best results.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull