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home·artworks·Urbain De Maillé, Marquis De Brézé, Maréchal De France
Urbain De Maillé, Marquis De Brézé, Maréchal De France by Jérôme-Martin Langlois

plate no. 5380

Urbain De Maillé, Marquis De Brézé, Maréchal De France

Jérôme-Martin Langlois, 1835

oilNeoclassicismportraitportraitfigurearmorclothinglacehistorical
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering textures like metal and fabric. It also provides practice in layering and glazing to achieve subtle color transitions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on accurate placement of the head, shoulders, and armor.

  2. step 02

    Establish the background with a thin, even wash of muted gray-brown.

  3. step 03

    Block in the main areas of color for the face, hair, armor, and clothing, using a limited palette.

  4. step 04

    Begin to refine the facial features, paying close attention to the subtle variations in skin tone and the play of light and shadow.

  5. step 05

    Develop the details of the armor, using highlights and shadows to create a sense of depth and form.

  6. step 06

    Add the lace collar and the blue sash, carefully rendering the folds and textures.

  7. step 07

    Refine the hair, using small, controlled brushstrokes to create the illusion of individual strands.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · ivory black · raw umber · yellow ochre

secondary · ultramarine blue · cadmium red light

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use raw umber and black for shadows and details in the armor. Mix ultramarine blue with white for the sash, adjusting the value with black or white.

techniques

  • ·portraiture
  • ·glazing
  • ·layering
  • ·rendering metal
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, ivory black, raw umber, yellow ochre, ultramarine blue, cadmium red light)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use a high-quality canvas and artist-grade oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →how to learn by studying the masters →
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