apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Untitled
Untitled by Maria Sibylla Merian

plate no. 8451

Untitled

Maria Sibylla Merian

oilNaturalismflower paintingflowersvaseinsectsstill lifetablebutterfly
experienced study

Recreating this painting will help students develop skills in botanical illustration, color mixing for subtle variations, and rendering delicate textures. It also provides practice in creating a complex composition with many elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, including the vase, flowers, and insects.

  2. step 02

    Block in the main shapes of the vase and flowers with diluted washes of color.

  3. step 03

    Start building up the colors of the vase, paying attention to the blue and white patterns.

  4. step 04

    Begin adding details to the flowers, working from general shapes to specific petals and leaves.

  5. step 05

    Mix and apply subtle color variations to create depth and realism in the flowers.

  6. step 06

    Carefully render the insects, paying attention to their anatomy and color patterns.

  7. step 07

    Add the table surface and cast shadows to ground the composition.

  8. step 08

    Refine the details and adjust the colors as needed to achieve a cohesive and realistic look.

color palette

primary · titanium white · ultramarine blue · cadmium yellow · alizarin crimson

secondary · burnt umber · sap green · yellow ochre

Achieve the various pinks and reds by mixing alizarin crimson with white. Create the blues for the vase by mixing ultramarine with white. Use yellow ochre and burnt umber for the warmer tones in the flowers and insects.

techniques

  • ·glazing
  • ·dry brushing
  • ·fine detail brushwork
  • ·color mixing
  • ·layering

common pitfalls

  • →Oversaturating the colors, resulting in an unrealistic look.
  • →Losing the delicate details of the flowers and insects.
  • →Failing to create depth and dimension in the composition.
  • →Ignoring the subtle color variations in the flowers and vase.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium yellow oil paint
  • ·alizarin crimson oil paint
  • ·small round brushes (sizes 0-2)
  • ·medium flat brush (size 4)
  • ·linseed oil

optional

  • ·palette knife
  • ·damar varnish
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a smooth canvas for easier detail work.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Nesebar

Nesebar

Felix Philipp Kanitz

View of the city of Nettuno at dawn with fishing boats

View of the city of Nettuno at dawn with fishing boats

Giovanni (Nino) Costa

Koriten Fortress

Koriten Fortress

Felix Philipp Kanitz

A London Jo - the End of the Day

A London Jo - the End of the Day

Augustus Edwin Mulready

Chestnut trees in the autumn in Antagnes, Switzerland

Chestnut trees in the autumn in Antagnes, Switzerland

Hubertine Heijermans

Avenue of Indian Rubber Trees at Peradeniya, Ceylon

Avenue of Indian Rubber Trees at Peradeniya, Ceylon

Marianne North

Paisaje Con Río

Paisaje Con Río

José Santiago Garnelo y Alda

An Oysterman

An Oysterman

William Henry Hunt