apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Unknown
Unknown by John Duncan

plate no. 2674

Unknown

John Duncan

oilSymbolismportraitportraitfigurewomanheadpiececlothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing subtle skin tones and rendering intricate decorative patterns. It also provides practice in achieving a smooth, blended finish.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, shoulders, and headpiece.

  2. step 02

    Block in the background with a thin layer of blue, allowing for variations in tone.

  3. step 03

    Establish the basic skin tones using a light mixture of white, yellow ochre, and a touch of red.

  4. step 04

    Begin to define the features of the face, paying attention to the subtle shadows and highlights.

  5. step 05

    Carefully paint the headpiece, focusing on the intricate patterns and the contrast between the light and dark areas.

  6. step 06

    Add the details of the clothing, including the striped pattern.

  7. step 07

    Refine the overall composition, adjusting the values and colors as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · yellow ochre · burnt umber · ultramarine blue

secondary · cadmium red light · ivory black

Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Vary the proportions to create subtle variations in tone. The headpiece uses a mix of yellow ochre, burnt umber, and white.

techniques

  • ·blending
  • ·layering
  • ·glazing
  • ·color mixing
  • ·rendering

common pitfalls

  • →Overworking the skin tones, leading to a muddy appearance.
  • →Failing to capture the subtle variations in value and color.
  • →Incorrectly rendering the intricate patterns of the headpiece.
  • →Ignoring the importance of accurate proportions in portraiture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface is recommended for easier blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull