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Union by Kazimir Malevich

plate no. 6726

Union

Kazimir Malevich, 1930

oilNeoclassicismgenre paintingfiguresflagcloudsfieldcannonsky
some experience helpful

This painting offers practice in rendering figures in a landscape and understanding atmospheric perspective. Students will develop skills in color mixing to create muted tones and depicting depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the horizon line.

  2. step 02

    Block in the main areas of color: sky, field, and the general tones of the figures.

  3. step 03

    Start with the background, establishing the atmospheric perspective by using lighter and cooler colors for distant elements.

  4. step 04

    Develop the figures, paying attention to their proportions and the subtle variations in skin tones and clothing.

  5. step 05

    Add details to the flag and the cannon, using darker values to create contrast and definition.

  6. step 06

    Refine the foreground, adding texture to the field and adjusting the values to create a sense of depth.

  7. step 07

    Add highlights to the figures and the flag to create a focal point.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and balanced composition.

color palette

primary · titanium white · raw umber · burnt sienna · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Mix muted greens for the field by combining yellow ochre, ultramarine blue, and a touch of burnt sienna. Create skin tones by mixing titanium white, burnt sienna, and a small amount of cadmium red. Use raw umber and ivory black to create the darker tones for the cannon and shadows.

techniques

  • ·blocking in
  • ·atmospheric perspective
  • ·color mixing
  • ·figure drawing
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear value structure.
  • →Using colors that are too saturated.
  • →Ignoring the principles of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·round brushes sizes 2, 4, 6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a limited palette to simplify the color mixing process. Consider using a toned canvas to create a more unified color scheme.

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