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home·artworks·UNDER THE UMBRELLA
UNDER THE UMBRELLA by Gerard Sekoto

plate no. 1352

UNDER THE UMBRELLA

Gerard Sekoto, 1967

oilExpressionismgenre paintingfiguresumbrellasmarketstreet scenebuildings
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and simplifying complex scenes into basic shapes and color blocks. It also provides practice in using visible brushstrokes to create texture and movement.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: umbrellas, figures, and basic building outlines.

  2. step 02

    Block in the large areas of color using thin washes, starting with the background.

  3. step 03

    Establish the darkest and lightest values to create a sense of depth.

  4. step 04

    Add details to the figures, focusing on capturing their posture and gestures.

  5. step 05

    Refine the colors and values, paying attention to the subtle shifts in tone.

  6. step 06

    Use thicker paint and visible brushstrokes to add texture and interest.

  7. step 07

    Glaze thin layers to unify the painting and adjust color temperatures.

  8. step 08

    Add final highlights and details to emphasize the focal point.

color palette

primary · ultramarine blue · burnt umber · yellow ochre

secondary · cadmium orange · titanium white · ivory black

Mix muted greens and blues for the background foliage and sky. Use white to lighten the blues and create atmospheric perspective. Mix burnt umber and ultramarine blue for the darker tones.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·atmospheric perspective
  • ·color temperature

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Creating muddy colors by over-mixing.
  • →Ignoring the subtle shifts in value and color temperature.
  • →Failing to simplify the composition and focusing on unnecessary details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium orange oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a limited palette to create a sense of harmony and unity. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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