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home·artworks·Two Poplar Trees
Two Poplar Trees by Pierre-Henri de Valenciennes

plate no. 5137

Two Poplar Trees

Pierre-Henri de Valenciennes, 1780

oil, paperNeoclassicismlandscapetreesbuildingslandscapeskyfoliagehill
suitable for beginners

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in the sky and foliage, as well as understanding atmospheric perspective to create depth. It also provides practice in rendering simple architectural forms and tree shapes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, including the horizon line, building shapes, and tree positions.

  2. step 02

    Block in the sky with a light blue, paying attention to subtle value changes.

  3. step 03

    Establish the basic shapes of the buildings with light washes of earth tones.

  4. step 04

    Paint the trees, starting with the trunks and then adding foliage with varied greens and browns.

  5. step 05

    Develop the foliage and ground cover, using short brushstrokes to create texture.

  6. step 06

    Add details to the buildings, such as windows and shadows.

  7. step 07

    Refine the colors and values throughout the painting, paying attention to atmospheric perspective.

  8. step 08

    Add final highlights and details to the trees and foliage.

color palette

primary · ultramarine blue · raw umber · yellow ochre · titanium white

secondary · burnt sienna · sap green

Mix ultramarine blue and white for the sky, adding a touch of raw umber for subtle variations. Use raw umber and yellow ochre for the buildings, and mix greens with yellow ochre and ultramarine blue.

techniques

  • ·atmospheric perspective
  • ·color mixing
  • ·dry brushing
  • ·layering
  • ·scumbling

common pitfalls

  • →Making the sky too uniform in color.
  • →Overworking the details in the foliage.
  • →Ignoring the subtle value changes in the buildings.
  • →Creating harsh lines instead of soft transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a smooth canvas for easier blending. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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