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home·artworks·Two capitals and a column base, remnants of ancient buildings in the town of Cora
Two capitals and a column base, remnants of ancient buildings in the town of Cora by Giovanni Battista Piranesi

plate no. 5914

Two capitals and a column base, remnants of ancient buildings in the town of Cora

Giovanni Battista Piranesi

oilNeoclassicismcityscapearchitectureruinscolumnsbuildingfigureslandscape
some experience helpful

Recreating this painting will help students develop skills in creating depth through value and rendering architectural details with precision. It also encourages careful observation of light and shadow.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch to establish the basic composition and perspective of the ruins.

  2. step 02

    Block in the darkest areas of the painting, paying attention to the shadows cast by the architecture.

  3. step 03

    Begin adding mid-tones to define the forms and create a sense of depth.

  4. step 04

    Gradually build up the highlights, using lighter values to emphasize the areas where light is hitting the surfaces.

  5. step 05

    Add details to the architectural elements, such as the columns, capitals, and entablature.

  6. step 06

    Refine the figures in the foreground, paying attention to their proportions and poses.

  7. step 07

    Add texture to the ruins and surrounding landscape using various brushstrokes.

  8. step 08

    Make final adjustments to the values and details to create a cohesive and compelling image.

color palette

primary · ivory black · titanium white

secondary · raw umber · payne's gray

Mix varying ratios of black and white to achieve the full range of values. Use raw umber and payne's gray sparingly to add subtle warmth or coolness to the grays.

techniques

  • ·value study
  • ·hatching
  • ·cross-hatching
  • ·dry brushing

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Ignoring the perspective of the architecture
  • →Creating muddy or flat grays

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil
  • ·mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a smooth canvas to allow for detailed rendering.

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oil painting for beginners →how to learn by studying the masters →
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