apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Threshing in the Roman Campagna
Threshing in the Roman Campagna by Giovanni (Nino) Costa

plate no. 2362

Threshing in the Roman Campagna

Giovanni (Nino) Costa, 1854

oil, canvasNaturalismlandscapelandscapefieldmountainscloudsfigureshaystacks
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create depth. It also provides practice in depicting subtle variations in light and shadow across a landscape.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major shapes of the mountains, fields, and clouds.

  2. step 02

    Establish the sky with a thin wash of blue and violet, blending towards the horizon.

  3. step 03

    Block in the distant mountains with muted purples and blues, using lighter values for the more distant peaks.

  4. step 04

    Lay in the base colors for the fields, using a mix of yellows, browns, and greens.

  5. step 05

    Add details to the fields, including the haystacks, figures, and variations in color and texture.

  6. step 06

    Develop the clouds, using white and pale blues to create volume and form.

  7. step 07

    Refine the foreground details, adding shadows and highlights to create depth and dimension.

  8. step 08

    Add final touches and details, such as small figures and animals, to bring the painting to life.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · viridian

Mix muted purples for the mountains by combining ultramarine blue and alizarin crimson with white. Achieve the golden hues of the fields by mixing yellow ochre with burnt umber and a touch of cadmium yellow.

techniques

  • ·atmospheric perspective
  • ·color mixing
  • ·scumbling
  • ·dry brushing
  • ·layering

common pitfalls

  • →Overworking the details in the foreground, losing the sense of depth.
  • →Using colors that are too saturated, resulting in an unnatural look.
  • →Failing to create a sense of atmosphere in the sky and distant mountains.
  • →Not varying the brushstrokes enough to create texture and interest.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x24 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Nesebar

Nesebar

Felix Philipp Kanitz

View of the city of Nettuno at dawn with fishing boats

View of the city of Nettuno at dawn with fishing boats

Giovanni (Nino) Costa

Koriten Fortress

Koriten Fortress

Felix Philipp Kanitz

A London Jo - the End of the Day

A London Jo - the End of the Day

Augustus Edwin Mulready

Chestnut trees in the autumn in Antagnes, Switzerland

Chestnut trees in the autumn in Antagnes, Switzerland

Hubertine Heijermans

Avenue of Indian Rubber Trees at Peradeniya, Ceylon

Avenue of Indian Rubber Trees at Peradeniya, Ceylon

Marianne North

Paisaje Con Río

Paisaje Con Río

José Santiago Garnelo y Alda

An Oysterman

An Oysterman

William Henry Hunt