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Three singers by Angelica Kauffman

plate no. 1901

Three singers

Angelica Kauffman, 1795

oilNeoclassicismgenre paintingfigureswomenbooktablelandscapetextiles
some experience helpful

Recreating this painting will help students develop skills in portraiture, fabric rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in capturing subtle skin tones and soft lighting.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and objects.

  2. step 02

    Establish the background landscape with light washes of color, paying attention to atmospheric perspective.

  3. step 03

    Block in the main colors of the figures' clothing and skin tones, focusing on the overall value structure.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow on the faces.

  5. step 05

    Develop the details of the clothing and accessories, such as the headscarves and jewelry.

  6. step 06

    Add details to the book and other objects on the table, focusing on their texture and form.

  7. step 07

    Refine the overall lighting and shadows, creating a sense of depth and dimension.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · burnt umber · cadmium red · yellow ochre

secondary · viridian green · ultramarine blue · ivory black

Achieve skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red. Use burnt umber and ivory black to create shadows. Mix viridian green and yellow ochre for the green headscarf.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·atmospheric perspective
  • ·fabric rendering

common pitfalls

  • →Incorrect proportions of the figures
  • →Overly harsh or flat lighting
  • →Lack of detail in the facial features
  • →Inaccurate color mixing
  • →Ignoring atmospheric perspective in the background

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for blending and layering.

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