
plate no. 5349
Richard Friese, 1912
Recreating this painting will help students develop skills in depicting realistic animal forms and rendering subtle color variations in snow and ice. It also provides practice in creating a sense of depth and atmosphere.
technical profile
approach — 8 steps
Sketch the basic shapes and placement of the polar bears and ice floes.
Establish the horizon line and the overall composition.
Block in the main colors of the sky, ice, and bears using thin washes.
Begin building up layers of color on the ice, paying attention to the subtle blues and grays.
Start defining the forms of the polar bears, focusing on their anatomy and fur texture.
Add highlights and shadows to create depth and dimension.
Refine the details of the faces and fur, using smaller brushes.
Add final touches and glazes to unify the painting.
color palette
primary · titanium white · ultramarine blue · yellow ochre
secondary · burnt umber · raw sienna · ivory black
Achieve the cool tones of the ice by mixing titanium white with small amounts of ultramarine blue and burnt umber. Create the warm tones of the polar bears by mixing titanium white with yellow ochre and a touch of burnt umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Nesebar
Felix Philipp Kanitz

View of the city of Nettuno at dawn with fishing boats
Giovanni (Nino) Costa

Koriten Fortress
Felix Philipp Kanitz

A London Jo - the End of the Day
Augustus Edwin Mulready

Chestnut trees in the autumn in Antagnes, Switzerland
Hubertine Heijermans

Avenue of Indian Rubber Trees at Peradeniya, Ceylon
Marianne North

Paisaje Con Río
José Santiago Garnelo y Alda

An Oysterman
William Henry Hunt