apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Three Polar Bears
Three Polar Bears by Richard Friese

plate no. 5349

Three Polar Bears

Richard Friese, 1912

oil, canvasNaturalismanimal paintingpolar bearsicesnowarcticanimalswildlife
some experience helpful

Recreating this painting will help students develop skills in depicting realistic animal forms and rendering subtle color variations in snow and ice. It also provides practice in creating a sense of depth and atmosphere.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and placement of the polar bears and ice floes.

  2. step 02

    Establish the horizon line and the overall composition.

  3. step 03

    Block in the main colors of the sky, ice, and bears using thin washes.

  4. step 04

    Begin building up layers of color on the ice, paying attention to the subtle blues and grays.

  5. step 05

    Start defining the forms of the polar bears, focusing on their anatomy and fur texture.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the details of the faces and fur, using smaller brushes.

  8. step 08

    Add final touches and glazes to unify the painting.

color palette

primary · titanium white · ultramarine blue · yellow ochre

secondary · burnt umber · raw sienna · ivory black

Achieve the cool tones of the ice by mixing titanium white with small amounts of ultramarine blue and burnt umber. Create the warm tones of the polar bears by mixing titanium white with yellow ochre and a touch of burnt umber.

techniques

  • ·layering
  • ·blending
  • ·dry brushing
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the ice and snow.
  • →Getting lost in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Nesebar

Nesebar

Felix Philipp Kanitz

View of the city of Nettuno at dawn with fishing boats

View of the city of Nettuno at dawn with fishing boats

Giovanni (Nino) Costa

Koriten Fortress

Koriten Fortress

Felix Philipp Kanitz

A London Jo - the End of the Day

A London Jo - the End of the Day

Augustus Edwin Mulready

Chestnut trees in the autumn in Antagnes, Switzerland

Chestnut trees in the autumn in Antagnes, Switzerland

Hubertine Heijermans

Avenue of Indian Rubber Trees at Peradeniya, Ceylon

Avenue of Indian Rubber Trees at Peradeniya, Ceylon

Marianne North

Paisaje Con Río

Paisaje Con Río

José Santiago Garnelo y Alda

An Oysterman

An Oysterman

William Henry Hunt